--- abstract: 'This book is not actually about the artful mind, i.e. the mind of one who uses devious means to achieve certain ends, but the artistic mind, i.e. the mind of one who creates art. It consists of fourteen chapters by prominent scholars from a variety of disciplines ranging from art history to cognitive science to modern languages and literature. The book is the result of these scholars meeting for periods ranging from a few months to a year at the Center for Advanced Study in the Behavioral Sciences in 2001-2002. It is a provocative and eclectic compilation of perspectives on what goes through the mind of the artist, how the creative process works, and how human creativity came about. This review will say a few words about each chapter, and end with a comment on some recurring themes.' altloc: - http://www.vub.ac.be/CLEA/liane/Reviews/tam.htm chapter: ~ commentary: ~ commref: ~ confdates: ~ conference: ~ confloc: ~ contact_email: ~ creators_id: - liane.gabora@ubc.ca creators_name: - family: Gabora given: 'L. M. ' honourific: 'Dr. ' lineage: '' date: 2007 date_type: published datestamp: 2008-03-10 14:56:21 department: ~ dir: disk0/00/00/59/64 edit_lock_since: ~ edit_lock_until: ~ edit_lock_user: ~ editors_id: [] editors_name: [] eprint_status: archive eprintid: 5964 fileinfo: /style/images/fileicons/text_html.png;/5964/1/tam.htm full_text_status: public importid: ~ institution: ~ isbn: ~ ispublished: pub issn: ~ item_issues_comment: [] item_issues_count: 0 item_issues_description: [] item_issues_id: [] item_issues_reported_by: [] item_issues_resolved_by: [] item_issues_status: [] item_issues_timestamp: [] item_issues_type: [] keywords: 'art, creativity, cognitive evolution, frame blend, aesthetics, conceptual space, conceptual integration, category, metaphor, meaning, cog, creative mind' lastmod: 2011-03-11 08:57:05 latitude: ~ longitude: ~ metadata_visibility: show note: ~ number: 5 pagerange: ' 669-674' pubdom: TRUE publication: Philosophical Psychology publisher: ~ refereed: TRUE referencetext: "Brooks, V. (1987). The Neural Basis of Motor Control. Oxford: Oxford University Press.\r\nCrutchfield, R. S. (1962). Conformity and creative thinking. In H. G. Gruber, G. Terell, & M. Wertheimer (Eds.) Contemporary Approaches to Creative Thinking. New York: Atherton.\r\nGabora, L. (2003). Contextual focus: A cognitive explanation for the cultural transition of the Middle/Upper Paleolithic. In (R. Alterman & D. Hirsch, Eds.) Proceedings of the 25th Annual Meeting of the Cognitive Science Society, Boston, July 31-August 2. Hillsdale NJ: Lawrence Erlbaum Associates. http://www.vub.ac.be/CLEA/liane/papers/cf.htm\r\nGentner, D. (1983). Structure-mapping: A theoretical framework for analogy. Cognitive Science, 7, 155-170.\r\nGick, M. & Holyoak, K. (1883). Schema induction and analogy transfer. Cognitive Psychology, 15, 1-38.\r\nGriffin, M. & McDermott, M. R. (1998). Exploring a tripartite relationship between rebelliousness, openness to experience, and creativity. Social Behavior and Personality, 26, 347-356.\r\nHofstadter, D. & Gabora, L. (1989). Synopsis of a workshop on humor and cognition. Humor, 2(4), 417-440.\r\nMithen, S. (1996). The prehistory of the mind: A search for the origins of art, science, and religion. London: Thames & Hudson.\r\nSulloway, F. (1996). Born to Rebel. New York: Pantheon." relation_type: [] relation_uri: [] reportno: ~ rev_number: 24 series: ~ source: ~ status_changed: 2008-03-10 14:56:21 subjects: - appl-cog-psy - percep-cog-psy - cog-psy succeeds: ~ suggestions: ~ sword_depositor: ~ sword_slug: ~ thesistype: ~ title: 'Perspectives on Artistic Creativity: A Review of ‘The Artful Mind’ (Mark Turner, Ed.)' type: journalp userid: 352 volume: 20