Cogprints
Login | Create Account

An Alternative Postulate to see Melody as “Language”

Situngkir, Hokky (2007) An Alternative Postulate to see Melody as “Language”. [Departmental Technical Report]

[img]
Preview
PDF
275Kb

Abstract

The paper proposes a way to see melodic features in music/songs in the terms of “letters” constituting “words”, while in return investigating the fulfillment of Zipf-Mandelbrot Law in them. Some interesting findings are reported including some possible conjectures for classification of melodic and musical artifacts considering several aspects of culture. The paper ends with some discussions related to further directions, be it enrichment in musicology and the possible plan for musical generative art.

Item Type:Departmental Technical Report
Keywords:melody in music, Zipf-Mandelbrot Law, musical categories, generative art
Subjects:Computer Science > Statistical Models
Computer Science > Language
Linguistics > Computational Linguistics
Computer Science > Complexity Theory
Philosophy > Philosophy of Mind
Psychology > Evolutionary Psychology
ID Code:5593
Deposited By:Situngkir, Mr Hokky
Deposited On:14 Jul 2007
Last Modified:19 Dec 2009 19:23

References in Article

Select the SEEK icon to attempt to find the referenced article. If it does not appear to be in cogprints you will be forwarded to the paracite service. Poorly formated references will probably not work.

Ausloos, M., and Ivanova, K. (1999). "Precise (m,k)-Zipf diagram analysis of mathematical and financial time series when m = 6, k=2". Physica A 270:526-542.

Copland, A. (2002). What to Listen For in Music. Signet Classics.

Eerola, T. & Toiviainen, P. (2004). “MIR in Matlab: The Midi Toolbox”. Proceedings of 5th International Conference on Music Information Retrieval (ISMIR 2004) Barcelona, 2004 pp. 22-27. Universitat Pompeu Fabra.

Feld, S., Aaron, A. F. (1994). "Music and Language". Annual Review Anthropology 23: 25-53.

Gen, M. & Cheng, H. (1997). Genetic Algorithms & Engineering Design. John Wiley & Sons, Inc.

Heckroth, J. (1995). Tutorial on MIDI and Music Synthesis. The MIDI Manufacturers Association. URL: http://www.harmony-central.com/MIDI/Doc/tutorial.html

Levitin, D. J. (2006). This is Your Brain on Music: The Science of Human Obsession. Dutton.

Manaris, B., McCormick, C., Purewal, T. (2001). “Progress Towards Recognizing and Classifying Beautiful Music with Computers: MIDI Encoded Music and the Zipf-Mandelbrot Law”. Technical Report CoC-CS TR#2001-7-2. College of Charleston.

McCormack, J. (2006). “New Challenges for Evolutionary Music and Art”. In Lanzi, P. L. (eds.), ACM SIGEVOlution Newsletter 1(1): pp. 5-11. ACM Special Interest Group on Genetic and Evolutionary Computation.

Manaris, B., Vaughan, D., Wagner, C. (2003). “Evolutionary Music and the Zipf-Mandelbrot Law: Developing Fitness Functions for Pleasant Music. In Cagnoni, S. Lecture notes in computer science 2611 pp. 522-34. Springer.

Mandelbrot, B. B. (1983). The Fractal Geometry of Nature. Freeman.

Selfridge-Field, E. (1998). "Conceptual and representational issues in melodic comparison". In Hewlett,W.B. & Selfridge-Field, E. (eds.), Melodic Similarity: Concepts, Procedures, and Applications. MIT Press.

Situngkir, H., Surya, Y. (2005). “What can we see from Investment Simulation based on Generalized (m,2)-Zipf Law?”. BFI Working Paper Series WPE2005.

Situngkir, H. (2007). “Regimes in Babel are Confirmed: Report on Findings in Several Indonesian Ethnic Biblical Texts”. BFI Working Paper Series WPC2007.

Su, Z-Y., Wu, T. (2006). "Multifractal Analyses of Music Sequences". Physica D 221: 188-194.

Steedman, M. (1996). “The Blues and the Abstract Truth: Music and Mental Models”. In A. Garnham and J. Oakhill, (eds.), Mental Models In Cognitive Science pp.305-18. Erlbaum.

Temperley, D. (2001). The Cognition of Basic Musical Structures. MIT Press.

Voss, R.F., Clarke, J. (1975). “1/f Noise in Music and Speech”. Nature 258: 317 – 318.

Metadata

Repository Staff Only: item control page

Cogprints is powered by EPrints 3 which is developed by the School of Electronics and Computer Science at the University of Southampton. More information and software credits.