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Toward an ecological aesthetics: music as emergence

Oliveira, A. L. G. and Oliveira, L. F. (2003) Toward an ecological aesthetics: music as emergence. [Conference Paper] (In Press)

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Abstract

In this article we intend to suggest some ecological based principles to support the possibility of develop an ecological aesthetics. We consider that an ecological aesthetics is founded in concepts as “direct perception”, “acquisition of affordances and invariants”, “embodied embedded perception” and so on. Here we will purpose that can be possible explain especially soundscape music perception in terms of direct perception, working with perception of first hand (in a Gibsonian sense). We will present notions as embedded sound, detection of sonic affordances and invariants, and at the end we purpose an experience with perception/action paradigm to make soundscape music as emergence of a self-organized system.

Item Type:Conference Paper
Keywords:auditory perception, ecological psychology, soundscape composition
Subjects:Psychology > Perceptual Cognitive Psychology
ID Code:2996
Deposited By:Oliveira, Luis Felipe
Deposited On:02 Jun 2003
Last Modified:11 Mar 2011 08:55

References in Article

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Menezes, F. (org.) (1996) Música Eletroacústica: Histórias e Estéticas. Edusp, São Paulo.

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Oliveira, A. L. (2002) O reconhecimento de padrões sonoros no contexto da ciência cognitiva. Dissertação (Mestrado) – Universidade Estadual Paulista (UNESP), Marília, SP.

Oliveira, A. L. G.; Oliveira, L. F. (2002). Por uma abordagem ecológica do timbre. In: Segundo encontro de la Sociedad Argentina para la Ciencia Cognitiva de la Música (Anais – Cd-rom). Buenos Aires: SACCoM.

Oliveira, A. L. G.; Oliveira, L. F. (2003). The ecological approach to auditory

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of 2002.

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